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Performances année 2009 et année 2010
- Exquises, les
27, 28, 29 et 30 janvier 09 au Coléo à Pontcharra
(38) - France
- Virus//Antivirus,
le 7 février 09 au CCB de Lisbonne - Portugal
- Virus//Antivirus,
les 13 et 14 février 09 à Saint-André
de la Réunion
- RAW.A.R., première
les 28 et 29 avril 09 à Mains d'Oeuvres, Saint-Ouen/Paris
- France
- Virus//Antivirus,
1er mai 09 au Festival de Carthage à Tunis - Tunisie
- Virus//Antivirus,
le 08 juin 09 au Festival Temps d'image à Istanbul
- Turquie
- Virus//Antivirus,
les 24 et 26 juillet 09 à Canton - Chine
- Virus//Antivirus,
le 25 novembre à la Cité des arts - Chambéry
- RAW.A.R., le
27 novembre 09 aux journées RE Connaissance à
l'Hexagone SN de Meylan
- Virus//Antivirus,
le 14 janvier 2010 à l'Espace pluriel - Pau
- RAW.A.R., le
22 janvier 2010 à l'Espace Paul Jargot à Crolles
- Exquises, les
11, 12 et 13 mars 2010, au Théâtre du Cadran
à Briançon
- RAW.A.R., le
06 mai 2010 au Théâtre de la Ponatière/La
Rampe à Echirolles
- le 17 juin 2010, première de la création
pour la Cie Norrdans à Harnosand en Suède
- Corps déployés
ou l'éventualité improbable, création
2010 pour la Biennale de la Danse de Lyon 2010
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Curiosity is a powerful engine
for Annabelle Bonnery and François Deneulin, their
willingness to explore new grounds pushes them to work inside
their own company at projects that reaches far beyond the
frontiers of dance, to then go back to it, enriched by other
universe, other preoccupations. Therefore after exploring
the industrial world in Qué Calor, it's science and
research which is at the heart of Virus//Antivirus, danced
solo by Annabelle.
This solo act, was a real team
effort, it brings together scientists from the CEA of Grenoble
and artists working around the question of the body, as an
image as well as an entity. As part of Labo I, put together
by L'Hexagone Scène Nationale de Meylan, the project
kick started. Then, thanks to the national choreographic center
of Grenoble(MC2), the project was able to grow in their studios.
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In two parts, Virus and Antivirus, like
two faces of a same piece explores a specific language of
the body.
The dance performance, instinctive and controlled at the same
time, instinctive and sensorial, supported by a live created
music. Making the body and what it provokes, causes and receives
from its environment as indissociable.
In Virus, the dancer interprets the world, transforming herself
in images, sounds to then get bigger and expand.
In Antivirus, she uses the body as a lone presence and how
it can evolve in the world without the help of any technology.
A full weighted body, in its human condition,
a solitary body...
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THE STARWATCH
Movement capture
The Starwatch is the first network of wireless sensors dedicated
to capturing human movement. It is developed in the Leti Lab
in the CEA Grenoble.
Resembling a small wristwatch, it combines magnetic and accelerometric
sensors with a low-tension radio link and a battery.
The technologies which have been developed stem from the sectors
of microelectronics, microsensors and telecommunications (wireless
transmission).
In addition to the domain of choreography, further applications
could include intuitive interfaces, office software, instrumentation,
3D geolocalisation or video games ...
MINATEC IDEAs Laboratory® and MINATEC ®..
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The Art-Science workshops
L'Hexagone Scène Nationale de Meylan and the CEA
Grenoble ( French Atomic Energy Authority) have had close
ties for five years within the frame of c-Encounters - Rencontres-I
- which led them to be more deeply involved in both artistic
and scientific research by creating in 2007 a common lab:
the Art-Science workshop.
The first residence of the Art-Science Workshop opened in
2007 with Lanabel Dance Company and Dominique David, a researcher
at the CEA Grenoble.
The Art-Science Workshop will regularly host research residences.
They will aim at encouraging both artists and scientists to
work together on the integration of new technologies into
artistic productions as well as taking into account their
representation in contemporary society.
Exchanging skills and questioning will be the basics of the
common research pursued in this workshop.
By promoting this meeting between artists and scientists,
L'Hexagone and the CEA also consider the philosophical and
ethical questions raised by the evolution of science and technology.
Indeed both groups are eager to enlarge this questioning and
take a full part into this topical debate.
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